The Doctor has been through a renewal process where his body, face and personality have changed. His companions Ben and Polly are suspicious, and to persuade them he is who he says he is, the Doctor does something characteristic and defeats some Daleks. These particular Daleks are a party of three who are marooned, and have been hibernating in a capsule on the planet Vulcan for hundreds of years, during which time a colony of humans has established itself. While colony politics are getting fractious, a scientist, Lesterson, is experimenting on the excavated capsule and the creatures within. Posing as an examiner from Earth, the Doctor tries to stop this, but the Daleks are wily, and pretend to be servile in order to be given raw materials and power. They start a Dalek production line, and amass an army. They've killed loads of colonists before the Doctor manages to stop them. Moral of the story: always listen to your Doctor, and never trust anyone who's nice. Maybe not that last bit.
After getting an unexpected last-minute invite to the BFI screening on the 5th November this year, see below, which included in the ticket price a copy of the DVD to be sent out later, I cancelled my pre-ordered DVD and put on hold any plans I might have had to buy it from the BBC Store. At the event, I saw the first three episodes, but once the disc arrived in the post, I rewatched those first ones, and then the rest, with the whole family, an episode per day approx. across a week (with a gap to watch the Strictly final live) finishing just before Christmas.
I think every time I've seen The Power of the Daleks has been the first time: it's been a different beast each time I've grappled with it. The very first experience was audio only, and would have been in 1993 or thereabouts when the cassette version came out. I've mentioned these tapes before: unfortunately, their makers misunderstood their market, and overdid the new aspects (freshly written narration links by a more modern Doctor, in this case Tom Baker, written as remembrances of an almost forgotten adventure) when the purchaser was likely much more interested in the old episodes themselves. The framing device got in the way, plus Tom did have a tendency to ham things up which did not help. This may be why I have no memory of first hearing that tape, though I definitely bought it, and I definitely didn't give up halfway through. (A decade later, it came out on CD with better quality recordings, and a much more considered narration voiced by Anneke Wills.)
The second time I saw Power, a couple of years later, there were some pictures, though not moving ones. It was a reconstruction from off-screen still images on a video tape which I'd borrowed from someone, or maybe saw at their house - I forget. (A decade after this, a reconstructed version also came out on CD with the same narration by Anneke Wills, and I bought it again). Finally, another ten years on approximately, and I see the animated version. Watching the first half with an audience really highlighted how funny it is - it got big laughs in all the right places. Watching it with the family really highlighted how scary it is: towards the end of episode 1, when the TARDIS team are investigating the capsule, accompanied by eerie anticipatory Dalek electroinca, the middle child - a boy, aged 7 - literally hid behind the sofa. I was so proud.
I'll get on to the animation later, let's start with the story itself: it's brilliant.
Want more? Okay. First of all, the story is significant. Doctor Who fans are lucky in some ways: it wasn't planned, but most of our favourite show's key episodes survived the indiscriminate junking one way or another. We still have the very first story, we still have the first appearance of the Daleks, we still have The War Games and Spearhead from Space where the show is rebooted. The most seismic change to the format, though, is where our luck runs out. The seven episodes where the lead actor is first recast, where one Doctor changes into another, and the first adventure of that new Doctor where we see the aftermath and find out something of what the new guy will be like - they're all missing. Even though they've all now been nicely animated, even though another set of seven could complete seasons, or give us all of, say, Marco Polo, if I were to be gifted any seven episodes to be returned, I would still choose Tenth Planet 4 and The Power of the Daleks 1-6, just for the sheer history of them.
So, this story is always going to be important. Is it enjoyable too? Yes, yes, yes. That this is so, is because of two particular gentlemen and one insanely clever decision. The decision was to recast the lead role but with a completely different characterisation. He looks, acts and talks differently to William Hartnell's version. The script, and the Doctor in the narrative, don't let us off easy on this either - the differences are pushed to the fore. Then, the Dalek story starts, and presents the true character underneath the characterisation, and we see it's the same hero we always knew. Genius. Imagine how tempting it must have been to play it safe, just get a similar actor in and glue on Hartnell's wig. The series would have lasted a year more, tops.
It could have backfired, of course. The main reason why it didn't is the first of those gentlemen: Patrick Troughton. A consummate character actor, Troughton can make you love someone who, let's face it, is being irritating for quite a lot of the running time of this serial. He's Hartnell's equal in terms of comic timing too, which is essential to make Doctor Who work. I bristle against too much emphasis being put on Pat's casting being the main reason the show is still going (something Steven Moffat mentioned at the BFI), not because it's not true necessarily, but because it downplays his predecessor who had to make the thing work from a blank slate. It's down to both: both the first two actors to play the Doctor, the Grumpy one and the Flautist, were essential to its longevity. We are so so lucky that lightning struck twice in the Sixties.
How they go about this isn't the most original plot ever; but, from the Penguin running for mayor of Gotham, right back to the wolf in Grandmother's clothing in Red Riding Hood, it's always fun to have a bad guy pretend to be good; even better is it to have the good guy telling everyone how bad the bad guy is, only not to be believed. Of course, it could be pure panto, but it's paced and played so well. Peter Hawkins' vocal work, with gradual changes in inflection of the "I am your servant" refrain, as the Daleks get more and more cocky, sells it. The ultimately irrelevant machinations of various venal colonists bounce around the through-line of the Daleks growing and growing in strength, so we're never bored by what is essentially a linear narrative - in fact, the inevitability becomes part of the beauty of it.
Both stories feature alien races pretending to be good to get people to let their guard down, before going on the attack.
|(L to R) Johnson, Fiddy and Skinner|
Before any of that, the first thing that happened at the event was perhaps the nicest: Graham Strong was asked to stand up and take a bow, which he did to a hearty round of applause. Graham was the young fan that 50 years ago recorded the audio of The Power of the Daleks, and so inadvertently was the instigator of the project we'd come to see. The HD visuals to accompany the sounds that Graham preserved stood up to the big screen treatment, though unfortunately, due to a mix up, we didn't have the 5.1 audio, only a mono mix-down, but I was satisfied. It seems churlish to mention, but there is a continuity error in episode 1, which everyone noticed with a murmur in the theatre: at one point, very briefly, Ben and Polly are shown in their new colonist gear before they've changed into it. I'm sure the team are still killing themselves over this tiny lapse (but I can happily report that no one noticed this when I replayed the episode at home). When the first three episodes completed, all I wanted was to see the rest. So, a definite success.
|(L to R) Ritchie, Norton, Ayres plus Fiddy|
|(L to R) Dodd, Harper, Moffat, Hines, Wills plus Johnson|
'Power' to the people, right on! (And, incidentally, a Happy Christmas to all of you at home!)